AboutAudio engineer

I have been behinda console since Iwas fifteen.

Ceejay Onyenali has spent fifteen years behind live consoles, from a church sound department as a teenager to stages watched by millions. He works front of house, monitors and broadcast — and trains the engineers coming up behind him.

In his words

How I got here.

My journey into audio engineering began over 15 years ago in my teenage church, where I joined the sound department and discovered a passion that would shape my life's work. What started as serving behind a mixing console quickly became a calling to create unforgettable experiences through sound.

Although I pursued a degree in Biochemistry at university, my passion for live production never wavered. During my time in school, I served as the Technical Director of my fellowship, leading the technical team and overseeing audio production for services, conferences, and special events. That season laid the foundation for the engineer I am today, refining both my technical expertise and leadership.

Today, I specialize in front-of-house, monitor, broadcast audio for concerts, conferences, worship gatherings, and large-scale live productions. Over the years, I've had the privilege of working with artists, organizations, and production companies including ShowDemCamp, The Cavemen, Preye Odede, Moses Akoh, Kaestrings, Streams of Joy International, NSPPD (New Season Prophetic Prayers and Declarations), Koinonia Global General Assembly, Ssounds Production, Beloca Productions, and 402 Productions and so many others, delivering exceptional audio experiences for audiences in the room and millions watching around the world.

My philosophy is simple: great sound should never distract, it should enhance every moment. Whether it's a concert, a conference, or a worship gathering, I believe audio has the power to elevate an experience, strengthen a message, and create meaningful connections.

As I continue to grow, my vision is to raise the standard of live audio production, design world class systems, mentor the next generation of engineers, and contribute to productions that leave a lasting impact across the world.

Ceejay Onyenali

Portrait of Ceejay Onyenali
The story
01

It started in the sound department at my church, the way it starts for a lot of Nigerian engineers. I never left.

02

I studied Biochemistry at university and spent most of it in the tech room. By the time I finished I was Technical Director of my fellowship, running the team and the audio for services, conferences and every event that needed sound.

03

That is where I learned the part nobody teaches you, which is how to keep a team calm when the show starts in ten minutes.

The room, the stage and the crowd
CreditsSelected

Fifteen years on.

I work front of house, monitors and broadcast for concerts, conferences, worship gatherings and large scale productions.

01Show Dem Camp
02The Cavemen
03Preye Odede
04Moses Akoh
05Kaestrings
06Streams of Joy International
07NSPPD
08Koinonia Global General Assembly
09Ssounds Production
10Beloca Productions
11402 Productions

Rooms of a few hundred, and streams watched by millions.

How I think about it

You know a mix is working when nobody mentions it.

Nobody walks out talking about the vocal sitting right or the low end staying out of the way. They talk about the artist, or the message, or the moment they will remember. That is the job.

Teaching at the desk
01 Training

Most people learn this by making mistakes in front of a live audience.

It costs them years. It cost me some. Mentorship is how that gets shorter.

Explore Training
02 The longer goal

Raise the standard of live audio here, build systems properly, and leave behind engineers who are better than I was at their age.

Available for bookings

Tell me about your event.

Send the date, the venue and what you need. One call, no cost, no pressure.